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What makes life last
3. A death in the family
You’d better believe it,
Death is always sudden, brutal, violent –
at least that’s how the body sees it.
The anatomical change proceeds in silence.
though the last sense is hearing, the family throng
whispering: “He’s going now – it won’t be long.”A surgeon took the family aside
to say my father had a year to die:
“There’s nothing more that doctors can contrive
to keep this mainly healthy man alive.”
They sent him home with drugs to make him fat:
his casenote tautology said that was that.
Don’t mock the bombers’ virgin paradise –
they’re dead, not disappointed by their vice,
(our angels too are hypothetical –
so which to choose?). And how typical
we believe men who opt to splay their guts
are driven to this madness not by rage but lust.
The problem’s not their liquid motivation
but our own crusted dry imagination.
Each day he took his snappy dog
and climbed the windmill hill
contemptuous of rain and fog
and anything that might do him ill.
Did it keep the dog alive?
It did a while.
Did the climbing keep him fit?
Did it shit!
Would he stop what he wanted to do?
Was someone going to tell him no?
No, not even if we’d known.
Was he going to stick to Horlicks?
Was he going to touch his forelocks?
Was he bollocks!
Even if we’d argued and debated
on what gets cells deregulated,
even if we’d pressed and questioned
his guts would still have ganged against him.
I was young driving the interstate
flicking midges and flies with wiper blades,
before I took a turn down lanes where a skunk
misapplied escape with its clichéd stench
of death against my chassis’ sudden club.
Once I had a bird on my car’s bench seat;
it blew in like a crude innuendo,
flightpaths that met at my open window;
its loss of breath and fluids went unseen.
The future of two small girls I’d known
was jettisoned in one cursed moment
when their dad’s car turned a bend on a road
and met a coalman who’d stopped to unload.
A much-beloved dog who died in our arms
learned too late that freedom can do you harm.
Although the pain drove in like splinters
he only once spoke with bitterness
against the great shrivelling disease
that assigned his non-renewable lease,
and laid him imperceptibly,
uncomplainingly low
like a fresh coat of snow on the road.
When we walked, spring plants
surprised the sleeping woods,
summer showed off its goods
and autumn tinted our moods.
When we talked it was of items
we needed carefully defined,
to bypass what we both had in mind
and so we made the conversation rattle
on relatives and war,
tools used by engineers
and naming of wild flowers,
things we cared for, not idle prattle.
His last affecting words were respectful
of the Chancellor of the Exchequer:
it was our deal not to make him reveal
the ache of keeping everything concealed.
Death’s a dread and wrecked absurdity
that deals with living things it catches napping
with specialisms in impurities
and disasters which can’t wait to happen –
it operates with written policies
to mine for pain and inequality
it largely gets its way with harassment
and by disregarding risk assessment.
It gathers wreckage up like tsunamis
and drowns abstractions and lovers of peace;
so even when there’s “good” dumped in the silt
we still feel loss, and guilt in relief of guilt.
Death’s a bloody outrage on us all,
shouldn’t we resist it like terror and war?
It’s not just the gulp of bodies stilled,
but the family which secretly withdraws,
missing the terror that fills your eyes
as they discuss the time of your demise.
Is there any place for truth if you lie
to a man you love when he’s about to die?
We waited for “herb wilson”
to break out among hedgerows
so we could laugh about the fiction
of my dad’s own common name
for a common enough pink flower,
and a term for something we couldn’t say.
Did he have a mate when he was young?
I never asked. A lad called Herbert Wilson?
Was he a guy who didn’t make it back
from war or someone who drowned,
plastered, in the pool, in the dock,
in that treacherous brackish marsh?
Was he just an empty desk
in a rowdy village school,
here one day and gone the next,
mangled by memory, regrets
and some other wasting sickness?
Was this a friend everyone loved and missed?
My father found Herb Wilson everywhere
but never told us what he’d lost.
An end, maybe, rewards endurance.
It’s sometimes just a disappearance
that takes survivors unawares,
leaves an imprint in the chairs;
we see the shadows in the halls
hear a voice whenever someone calls.
Ends are artless – out of order,
beyond communication or the
reciprocity life infers;
we can’t create what just occurs.
He didn’t resist or speak of death, and didn’t betray life either.
Though he sometimes stood in the way of stupidity and officiousness,
he always knew when to step aside and still refused a little while longer. When he grew too weak to walk he’d rant at shop assistants or attendants; he bore their obstructions the way he expected them to suffer his.
But when he’d been eaten away two years or so even he was ready to go.
Down among brickwalled photoshopped bowers
the mourners shuffled off to view dead flowers;
crematorium staff would lay to rest
the mess, while grounds fenced off the wilderness
and priests drew lines they refused to cross,
saying our choice is always god or dross.
He didn’t prize pillowed apologies,
featherweight metaphors or pleas.
And the poor bugger’s breath had to seize
to get a eulogy at last from me.
It’s anger not grief that staunched my cry
the day I watched my father die.
The man who works the shutter sighs
at the photo’s perfect boundaries
between the object, its image and sight;
he paints frontiers dividing dark and light
pixels and pixels between one and nil,
between imagination and his will.
There are so many edges that even
endings themselves become inconclusive;
if Hell existed we’d need to know which way
to go and how to separate each shade;
we’d need these photographs so we could see
anything that’s left after the memory.
4. The search for life in the universe »
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